Copeland Joins Jazz Giants Marcus Miller, Mark Whitfield And Others
For One-Of-A-Kind Performance To Stream Worldwide
|Celebrated blues and roots singer and Alligator Records recording artist Shemekia Copeland, backed by jazz giants Marcus Miller, Mark Whitfield, Brian Blade, Leonard Brown and John Beasley, will perform two songs as part of the Global Concert for International Jazz Day to be broadcast on April 30, 2022. Copeland, singing from the United Nations General Assembly Hall, will perform Walk Until I Ride, from her Grammy-nominated 2020 album Uncivil War, and Ain’t Got Time For Hate from 2018’s groundbreaking America’s Child. The concert, featuring artists from around the globe, will stream to a worldwide audience via UNTV, UNESCO, US State Department, on Facebook and on YouTube. The event will be broadcast on PBS Television in 2023.|
The 2022 Global Concert will take place at United Nations Headquarters in New York and is scheduled to worldwide webcast at 5:00pm Easter time. With Herbie Hancock serving as host and Artistic Director and John Beasley as Musical Director, the program is set to showcase the extraordinary potential of jazz as a medium for peaceful collaboration and constructive dialogue. Participating artists will include vocalists Shemekia Copeland, José James, Youn Sun Nah (Republic of Korea), Gregory Porter, Alune Wade (Senegal) and Lizz Wright; pianists Joey Alexander (Indonesia), Helio Alves (Brazil), Laurent de Wilde (France), Hiromi (Japan), Ray Lema (Democratic Republic of Congo), and Tarek Yamani (Lebanon); drummers Terri Lyne Carrington and Brian Blade; bassists James Genus, Marcus Miller and Linda May Han Oh (Australia); saxophonists Ravi Coltrane, David Sanborn and Erena Terakubo (Japan); guitarist Mark Whitfield and trumpeters Randy Brecker and Jeremy Pelt, among others. Also joining the global ensemble will be harmonicist Grégoire Maret (Switzerland), harpist Edmar Castañeda (Colombia), percussionist Pedrito Martínez(Cuba) and clarinetist Kinan Azmeh (Syria).
According to Copeland, “Blues played an enormously big part in the creation of jazz from the beginning. I’m just happy that my blues gets to play a small part in celebrating International Jazz Day. And I am personally jazzed to be doing it at the UN.”
When Copeland first broke on the scene in 1998 with her Alligator Records debut Turn The Heat Up, she instantly became a blues and R&B force to be reckoned with. With each subsequent release, her music has evolved. She continues to broaden her musical vision, melding blues with more rootsy, Americana sounds, and singing about the world around her, shining light in dark places with confidence and well-timed humor.
In addition to her Grammy Award nomination (her fourth), Copeland’s groundbreaking 2020 release Uncivil War was named the 2020 Blues Album Of The Year by both DownBeat and MOJO magazines. Copeland received three 2020 Blues Music Awards, including the B.B. King Entertainer Of The Year and Contemporary Blues Album Of The Year for Uncivil War. Additionally, she won both Living Blues magazine’s Critics’ and Readers’ Awards for Album Of The Year and Blues Artist Of The Year (Female). Internationally, she won the UK Blues Award for International Blues Artist Of The Year.
Since the release of Uncivil War, Copeland’s profile has continued to grow. She was the subject of a Washington Post Sunday magazine story and appeared on both NPR’s Weekend Edition and Here And Now. She has previously performed on PBS’s Austin City Limits and was the subject of a six-minute feature on the PBS News Hour. And NPR’s Jazz Night In America aired an hour-long program featuring interviews with Copeland and others, along with music recorded at Dizzy’s Club in New York City and at the 2021 Exit Zero Jazz Festival. Currently, Copeland can be heard hosting her own popular daily blues radio show on SiriusXM’s Bluesville.
The Chicago Tribune’s famed jazz critic Howard Reich says, “Shemekia Copeland is the greatest female blues vocalist working today. She pushes the genre forward, confronting racism, hate, xenophobia and other perils of our time. Regardless of subject matter, though, there’s no mistaking the majesty of Copeland’s instrument, nor the ferocity of her delivery. In effect, Copeland reaffirms the relevance of the blues.”
CONTACT: Marc Lipkin / Alligator Records / 773-973-7736 x235
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